My name is Jon Bellona. I write music, create sound art works, and am part of the art collective, Harmonic Laboratory. I founded and directed Run for the Fallen. I have a passion for creating digital interfaces, developing an electronic music performance practice, and collaborating with other artists.
Wildfire is a 48-foot long speaker array that plays back a wave of fire sounds across its 48-foot span at speeds of actual wildfires. The sound art installation strives to have viewers embody the devastating spread of wildfires through an auditory experience.
The work was installed at the Edith Langley Barrett Art Gallery in Utica, New York. The work runs Sept. 19 – Dec. 8, 2019 as part of a solo art exhibition entitled, “Impact! works by Jon Bellona.”
Wildfire was made possible through the University of Oregon Center for Environmental Futures and the Andrew W. Mellon Foundation. The Impact! show was made possible through support from the Oregon Arts Commission and the Edith Langley Barrett Art Gallery.
Awash depicts the life, color, and environment of the High Desert. The kinetic sound sculpture emanates audio from the region, while flowing as a singular mechanical wave overhead. Awash, like the High Desert, is shaped by many forces interacting in complex ways; the work is ecological – physical movement interacts with sonic vibrations. Sounds interact with the physical environment. Visual elements intermingle with acoustic elements.
The High Desert Museum commissioned Harmonic Laboratory for the work as part of its Desert Reflections 2019 exhibit. The exhibit went on to win the 2019 Charles Redd Center for Western Studies Award for Exhibition Excellence. Press release for the award.
Jon Bellona, electronics, software, field recording, Skinner church organ recording, sound editing, visual design, engineering
John Park, kinetics, visual design, engineering, schematics
Jeremy Schropp, field recording, visual design, engineering
Kevin Davis, Skinner church organ recording